TRAFFIC ADVISORY: The Arboretum has implemented a temporary traffic plan that impacts traffic flow and parking throughout the grounds. Please be advised of details before visiting. Learn more here.

So What is Forest Bathing, Anyway!?

“When you forest bathe in the National Bonsai and Penjing Museum, you can sense the extraordinary magic of these tiny trees that have been lovingly tended by so many generations of human hands in Asia, and now here,” she said.

One might be caught off guard when they hear the term “forest bathing.” Someone who participates in forest bathing does indeed cleanse themselves amid trees and plants, but the practice doesn’t require a bathtub. We sat down with certified nature and forest therapy guide and acclaimed author (The Joy of Forest Bathing—Reconnect with Wild Places & Rejuvenate Your Life), Melanie Choukas-Bradley, who will lead the upcoming Forest Bathing Amongst the Bonsai classes at the Museum (April 18th and May 2nd, October 3rd) to learn more about the the practice and what participants can look forward to.

Melanie leads a class at The National Bonsai & Penjing Museum. (Photo By: Ana Ka'ahanui)

Melanie leads a class at The National Bonsai & Penjing Museum. (Photo By: Ana Ka'ahanui)

Shinrin-yoku, or forest bathing, is a therapeutic experience during which one bathes in the forest atmosphere by immersing their senses in the natural world.

Certified nature and forest therapy guide Melanie Choukas-Bradley spent much of her childhood roaming Vermont’s vast woods and fields. So when she first read about forest bathing in a 2014 issue of O, The Oprah Magazine, the concept of full sensory immersion in the beauty and wonder of nature immediately resonated with her.

“Forest bathing simply gives a name to an experience I've always valued: quiet time surrounded by natural beauty,” she said.

The article inspired Choukas-Bradley to travel to California and walk with Amos Clifford, the founder of the Association of Nature and Forest Therapy. Her time with Clifford led her to train as a forest therapy guide, and she received her certification from ANFT in 2016.

As a naturalist and nature book author, Choukas-Bradley has led nature walks for many years. She said every guide who has led forest bathing walks she participated in, both in North America and in Japan, has bolstered love for nature.

“I'm inspired by everyone who shares their love of nature,” Choukas-Bradley said. “I’m especially inspired by the beauty and wonder of nature itself.”

But forest bathing is more than just a walk in the park, she said. The phenomenon allows one to slow down, turn off your phone, breathe deeply and absorb nature’s beauty.

Choukas-Bradley said the “remarkably enjoyable and restorative” natural therapy can be likened to meditation, tai chi, yoga and other mindfulness practices, but additionally helps one to form a close relationship with nature.

“We are all stressed by the constant barrage of news flowing from our electronic devices and our lengthy personal to do lists,” she said. “This brings joy and well-being.”

A class cups their ears to heighten the sound of the water fountain at the National Bonsai & Penjing Museum. (Photo By: Ana Ka'ahanui)

A class cups their ears to heighten the sound of the water fountain at the National Bonsai & Penjing Museum. (Photo By: Ana Ka'ahanui)

Forest bathing has led Choukas-Bradley across the United States, from D.C. to Texas to Colorado. But she said bathing fully revolves around appreciating each moment and taking the time to connect with your surroundings, no matter where you are.

”If you're able to be fully present in nature, you can forest bathe anywhere, including in your own backyard,” she said.

Choukas-Bradley added that offering forest bathing walks among bonsai trees fuses two classic Japanese nature practices: appreciation for bonsai trees themselves, but also shinrin-yoku, or forest bathing.

“When you forest bathe in the National Bonsai and Penjing Museum, you can sense the extraordinary magic of these tiny trees that have been lovingly tended by so many generations of human hands in Asia, and now here,” she said.

Choukas-Bradley’s forest bathing sessions will be held at the Museum April 18, May 2 and Oct. 3. Click here to buy tickets now for one or more dates.

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Museum Appoints Andy Bello as Curation Intern

Andy Bello, the National Bonsai & Penjing Museum’s 2019 First Curator’s Apprentice. (Stephen Voss)

Andy Bello, the National Bonsai & Penjing Museum’s 2019 First Curator’s Apprentice. (Stephen Voss)

Andy Bello has been selected as the Museum’s 2019 First Curator’s Apprentice.  The National Bonsai & Penjing Museum's First Curator's Apprenticeship  for 2019 is funded by generous grants to the National Bonsai Foundation from Toyota North America and The Hill Foundation.

Bello, a 24-year-old Illinois native, earned a Bachelor of Science in Natural Resources Conservation and Management from the University of Arizona in 2016. He then moved to Eugene, Oregon where he designed and built ornamental ponds, propagated pond plants and bred koi and goldfish at a local store.

His fascination with bonsai catalyzed after he stumbled across Peter Chan’s “Bonsai: The Art of Growing and Keeping Miniature Trees” in 2016.

“I took this book home, and the second I opened it I could not put it down,” Bello said. “Everything from the history of the art, the horticulture aspects, and the design techniques amazed and intrigued me deeply.”

His readings prompted him to join the Eugene Bonsai Society, a group of Oregon bonsai enthusiasts. Bello said he felt welcome in the society, but after spending a year in the group he wanted to delve deeper into the bonsai realm and craved hands-on experience.

His big break occurred on a trip to the Oregon Coast, when he inadvertently stopped at Driftwood Nursery in Bandon, Oregon. Bello befriended nursery owner Tom Roberts and soon began a monthly apprenticeship at Driftwood, where he learned basic bonsai skills and developed his passion for the trees.

Bello said he and his girlfriend soon began to discuss moving east to solidify their careers and settle down close to family. In preparation, he explored available permaculture and organic farming jobs on the East Coast – eventually discovering the Museum’s curator apprenticeship – and immediately sent in his application.

In his newly-appointed position, Bello aims to deepen his understanding of different species’ needs in all seasons, and looks forward to improving his horticulture skills and bonsai designs.

His year-long internship will consist of performing various bonsai care-taking duties, from repotting and wiring to pruning, and spreading the joy and wonder of bonsai to Museum visitors.

“I am extremely excited to be part of a new community of fellow bonsai artists and create new connections from all different parts of the world,” he said. “I hope to learn and grow as much as possible in the world of bonsai.”


The National Bonsai & Penjing Museum's First Curator's Apprenticeship for 2019 is funded by generous grants to the National Bonsai Foundation from Toyota North America and The Hill Foundation. If you’d like to help fund these types of programs, please consider becoming a member of the National Bonsai Foundation. More information here.


Landscape Architect Returns to Museum for Second Cherry Blossom Exhibit

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Eight years after his first trip to Japan, Ron Henderson’s exhibit documenting Japanese horticulture and history is back for a second showing at the National Bonsai & Penjing Museum.

Henderson first traveled to Japan as an architectural graduate student at the University of Pennsylvania, then frequented the country during his tenure as a landscape architecture professor at Tsinghua University in Beijing.

He later submitted a proposal for his trip to a Japan-U.S. commission that facilitates a three or four-month artistic fellowship in Japan. After his proposal was selected, he departed for his two-month journey and started to sketch the blossoming sakura orihon.  

But the idea to share his drawings at the Museum was not set in motion until after a preliminary talk about his proposal’s findings at the International House of Japan, where he received “substantial encouragement” to display his sketchbooks.

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Henderson says the most difficult part of designing the sakura orihon exhibit was defining the facets of his journey. His exhibit focuses on three narratives: cherry blossom culture, notable Japanese cherry trees and unique Japanese horticulture techniques.

While horticulture practices in the United States have normalized using discreet cables or hidden devices for trees’ structural support, Henderson says Japanese trees are supported with elegant – but visible – braces, crutches and ropes, as evidence of a reverence for sustaining life.

“Trees are living history around which cultures are viewed,” Henderson says. “The sometimes-extreme lengths taken to revitalize plant specimens that, in many cultures, would be removed, is a reminder of the tenacious spirit in all living things and the responsibility of humankind to steward these life forces.”

Henderson’s current exhibit is on display through April 7, but he hopes the sakura orihon story will return to the Museum for as long as the public demands.

Kathleen Emerson-Dell, the exhibition’s curator, says Henderson’s themes resonate with the U.S. National Arboretum audience and advance the Arboretum’s mission to preserve plants from around the world.

The U.S. Department of Agriculture has introduced flowering cherry cultivars and species, from Japan and elsewhere, to American gardens since the beginning of the 20th century. About 50 varieties of flowering cherry trees are planted across the 446-acre Arboretum, and the collection’s diversity permits a much longer flowering display than that of the Tidal Basin.

“Ron’s exhibit adds to our understanding of the genetic sources for ornamental cherry trees from Japan,” Emerson-Dell says.


Sakura Orihon exhibit runs until April 7th. Learn more here and plan your visit today.