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NBF Helps Host Guests for Museum Tour

Photo from Tomas Eric Sales/Asian Development Bank

The National Bonsai Foundation was honored to host, and tour distinguished guests of Ambassador Chantale Wong (United States Director of the Asian Development Bank) from the Asian Development Bank, National Museum of Asian Art, the White House and Japan on a recent beautiful spring Sunday. NBF Board Chair Jim Hughes led the tour around the National Bonsai & Penjing Museum grounds. Those in the group picture above: 

  • Jim Hughes, National Bonsai Foundation Board Chair

  • U.S. Representative Mark Takano, (D-CA 41)

  • Erika Moritsugu, Deputy Assistant to the President and Asian American and Pacific Islander Senior Liaison, The White House

  • Masatsuga Asakawa, President, Asian Development Bank

  • Ambassador Chantale Wong, United States Director of the Asian Development Bank

  • Ross Campbell, Board Member, National Bonsai Foundation

  • Frank Feltens, PhD, National Museum of Asian Art 

  • Haruto Takimura, Chief Advisor to the President of the Asian Development Bank

  • Laura Schwartz, Senior External Relations Officer, Asian Development Bank

  • Mieko Kuramoto, Legislative Correspondent for Representative Takano

In the picture below, Assistant Museum Curator Andy Bello brought the tour to a close in the staff workroom with a brief explanation of his work on a Chinese Quince Orchard Forest. This tree was donated to the Museum by past curator, Warren Hill.  It was started from seed and has been in training since 1975.

 Photo from NBF Board Member

NBF is grateful to have spent time with the group remembering and celebrating the longstanding relationship between the United States and Japan, strengthened by the extraordinary Japanese gift to our country that formed the beginning of the Museum. NBF looks forward to bolstering those ties and hopes to welcome our guests for another visit soon. 

Welcome Henry Basile, 2022 First Curator's Apprentice!

Courtesy of Henry Basile

The National Bonsai & Penjing Museum would not be the treasured public accessory it is today without the dedicated team that cares for its collections. The National Bonsai Foundation (NBF) is pleased to introduce this year’s First Curator’s Apprentice, Henry Basile – a knowledgeable and dedicated individual excited to join an already deep bench of bonsai experts. 

The First Curator’s Apprenticeship honors Robert (Bob) Drechsler, the Museum’s inaugural curator who served in the position for more than 20 years. NBF established the apprenticeship in 2011 to pay homage to Robert’s decades of service to the national collection and to educate and train a new generation of American bonsai artists.

A recent Kansas State graduate, Henry said his introduction to bonsai was a pretty garden-variety experience: popular culture and mass-producing garden centers were his only exposure to the trees for most of his young life. 

“I vaguely knew about the historical significance and the horticultural prowess required to maintain the trees and held a significant amount of respect for the care and attention that curators and collectors paid them,” he said. “But I saw them as no more than ancient trees, valued only for their age.”

But then gardening gave Henry an escape route from an unfruitful year as a biomedical engineering major, sparking his near-instant switch into the horticulture tract. Having found his calling among the plants, a bonsai curation internship at the Denver Botanic Gardens piqued his interest. There he met his mentor, prominent bonsai artist and author Larry Jackel, who taught him about each facet of the Denver collection. 

“Larry spoke about the designs from an artist’s perspective – using the principles and elements of design to hammer in the concepts,” Henry said. “It was then I realized I had found something special.”

That internship blossomed from an intriguing career move to a flourishing understanding of horticulture and artistic expression. He delved into the works of notable artists like Bjorn Bjorholm, Michael Hagedorn and Bill Valavanis, and he studied the styles and techniques described in John Naka’s texts. Though Henry was first drawn to bonsai from a scientific standpoint, his internship in Denver helped him root his work in purpose and pride. 

“It is seldom that a career path can offer development of one’s understanding of nature and history, artistic capabilities, as well as one’s mindfulness,” he said. 

Henry first learned about the National Bonsai & Penjing Museum through acclaimed writer and former NBF Board Member Ann McClellan’s “Bonsai and Penjing: Ambassadors of Peace and Beauty,” available for order at the NBF bookstore. He picked Larry’s brain about the national collection and staff members involved in maintaining its prestige and vitality. When the apprenticeship opened, he knew he had to throw his hat in the ring.  

During Henry’s first trip to the Museum as an apprentice – during his spring break week earlier this year – he helped staff move trees from their winter accommodations to the pavilion display benches and in the courtyards, repot multiple trees and develop new bonsai using U.S. National Arboretum cultivars. He delved deeper into the design principles and horticultural needs – like sunlight levels and visual movement –  considered when presenting bonsai and penjing. 

One of the most impactful tasks, Henry said, was repotting and styling a cryptomeria forest planting by Eisaku Sato, one of the 53 bonsai in the bicentennial gift from Japan to the United States, which marked the start of the Museum.

“Though I spent much of the time analyzing the process, it quickly acclimated me to the gravity of the work I will be participating in during my apprenticeship,” he said.

Henry is eager to interact with Museum visitors and capitalize on any opportunity to share the nuggets of wisdom he receives as an apprentice with fellow bonsai lovers and artists. He hopes that offering insight even just for small tasks, like wiring or pruning, will increase the accessibility of bonsai and penjing – and horticulture in general. 

“Having a mentor that makes you feel welcome and connects with you as an individual is a deeply important part of the learning process,” Henry said. “I certainly hope to put myself in a position to be that mentor for others.”

Already, he has recognized the gravity that accompanies the role of a Museum staff member, serving as a steward of the historic trees. Henry aims to develop a more thorough understanding of the maintenance a bonsai or penjing requires throughout the year, not just during the growing season, and familiarize himself with the species diversity found in the national collection.

“The bonsai and penjing housed in this Museum are masterpieces that will cease to exist if under improper care,” he said. “It is now partially my responsibility to provide nothing but the proper care so these beautiful trees and landscapes will continue to exist for generations to come.” 

Henry said he is honored to have been accepted into the apprenticeship and is grateful for the experience he will gain as an artist and horticulturist. 

“I sought out the National Bonsai Foundation’s First Curator’s Apprenticeship to learn and grow from the knowledge and experience of the talented curatorial team and draw from the artistic vision of the numerous artists who have contributed their masterpieces to the Museum,” he said. “I have quite a long way to go in my bonsai journey, and the apprenticeship is a paramount step in realizing it.”


​​NBF is pleased to provide complete financial support for this apprenticeship, thanks to the Foundation’s generous donors. Without your help, this one-of-a-kind apprenticeship that helps to usher in the next generation of horticulturists wouldn’t be possible. Make a tax-deductible gift today to support the future of bonsai artistry. 

NBF World Bonsai Day 2022


It’s official: The National Bonsai & Penjing Museum is hosting in-person festivities for World Bonsai Day once again!

After two years of virtual celebrations, the National Bonsai Foundation is thrilled to welcome everyone to a creative and informative day of bonsai appreciation the Museum is putting on Saturday, May 14. Observed on the second Saturday of May every year, the World Bonsai Friendship Federation established this international day of celebration to pay homage to bonsai Master Saburo Kato's mission to promote peace and friendship through the art of bonsai. 

Here’s a quick rundown of what to expect on May 14. 

Get crafty

Visit Bonsai Technician Rose Behre at the children’s arts and crafts table to get your hands on some botanical coloring pages, stamps and origami. For those of you who attended our origami class, be sure to stop by and show off your skills!

Sit in on a demonstration

Museum volunteers will demonstrate bonsai pruning techniques and answer questions from the public. Pending weather conditions, visit their station under the arbor in the Lower Courtyard from 10 a.m. to 12 p.m. and 1 to 2 p.m.

Explore your inner artist 

As a bonus this year, register for one of artist and art educator Mary Ellen Carsley’s bonsai drawing workshops! In each of her hour-long sessions (11 a.m., 1 p.m. and 3 p.m.), Mary Ellen will review fundamental sketching techniques and the principles used to properly translate bonsai to the page. All artists will be provided with a drawing pad, pencil and eraser at the Yuji Yoshimura Lecture and Demonstration Center.

We can’t wait to celebrate with you!

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Spring Flowering Bonsai

Prunus mume 'Kobai' flowers blooming at the entrance to the Dr. Yee-Sun Wu Chinese Pavilion at the National Bonsai & Penjing Museum. Photo by Steven Voss

It is peak cherry blossom time in Washington, D.C., and the beginning of a new growth ring. The birds, the bees and the humans are all swarming at the National Arboretum. The flowering cherry tree is the pinnacle angiosperm– that’s a fancy word for “flowering plant.”

The United States National Arboretum is a Clonal Germplasm Repository for the United States Department of Agriculture’s Agricultural Research Service. Let’s just say it is a plant DNA library, but instead of books on shelves there are collections of plants in Arboretum gardens. 

The U.S. National Arboretum has more than a thousand cherry trees in their prime for viewing. While their twigs are still naked of leaves, hard wood branches are covered in delicate blossoms. Bees wiggle between the petals and pull out clutches of gold pollen. Humans put their backs against the flowers, smile at cameras, and click. Eagles are soaring and songbirds sing above it all! 

One exceptional specimen of cherry tree DNA is in the National Bonsai & Penjing Museum. Check it out by strolling past the masterpiece bonsai and penjing in the Museum’s central courtyard, behind the massive red doors of the Yee-Sun Wu Chinese Pavilion. Rising from the corner, with branches that partially eclipse the moon gate entrance, is a cherry tree named Prunus mume ‘Kobai’. Less than a month ago icicles were dripping from its hot pink petals. 

This spring, the National Bonsai & Penjing Museum is displaying collections of flowering plant DNA in the form of bonsai and penjing. The Museum’s azalea bonsai special exhibit will be May 21st to June 5th. Some other spring flowering bonsai to admire are quince, maples, crabapples, firethorn, pomegranate and privet. The maple flowers will be small and subtle. They are often too high to see in the wild, so they are overlooked in the landscape. When viewing the blossoms in the Museum’s Japanese Pavilion, they are accessible, a perfectly sized ornament for miniature trees. There is nothing subtle about the flowers on azalea bonsai. Branch pads are pruned to such exaggerated forms that individual plants sometimes appear to be dancing for attention. Within the John Y. Naka North American Pavilion, when the breeze is right, perfume from privet bonsai flowers may be smelled before they are seen. 

One reason bonsai trees appear to be so small is because the size of leaves can be reduced by human intervention. Humans may withhold water or fertilizer to decrease their size. Or large leaves may be plucked and grow back smaller. Roots are constrained by high fired glazed earthenware, but the size of flowers cannot be reduced. Their function is to make future plants. As reproductive elements of plants, where and when they form on bonsai is controlled by reproductive hormones. 

In 1920, two United States Department of Agriculture essential employees named Garner and Allard discovered that many plants flower in response to changes in day length. So, some of the bonsai flowers being adored this spring first began to grow almost a year ago. Last summer and autumn when the days were getting short, spring flowers were microscopic. They were hidden within sheaths of dormant buds for their protection. Growth slows in the winter, but it rarely stops. As flower buds endure the chill they swell faster with every increasing degree. 

Specimens prepared for the Museum’s spring flowering bonsai displays receive countless judicious pruning sessions between flower formation last year and peak spring bloom.  Established silhouettes have been preserved with care not to revert century old bonsai back into a flower-less juvenile state. The common bonsai technique of pinching, or as an arborist would call “header cuts,” are used with reservation. The resulting branch ramification may not allow enough sunlight into canopies to disinfect the diseases flowering trees are prone to. The culture of masterpiece flowering bonsai by pruning is both selective and reductive. The strongest branches are often removed while leaving the little phototropic lateral ones. Those lateral branches, or “spurs,” as an orchardist may say, are where flowers are born. 

With all the help they are receiving from birds, bees, and humans at the U.S. National Arboretum the flowers are sure to be pollinated this spring. Another growth ring will form, flowers will become crabapples and exhibitions will change. This year, the Museum’s fall fruit and foliage special exhibit will be held from October 29 through November 13th. It will highlight bonsai and penjing from the collections at peak autumn color and ripeness. The seasonal nature of bonsai ensures that there is always something to look forward to.