Apprentice Blog

Welcome Isiah White, 2024 National Bonsai Apprentice!

Isiah White, 2024 National Bonsai Apprentice

We are pleased to introduce the 2024 National Bonsai Apprentice, Isiah White! He joins us as we send our best wishes to the 2023 Apprentice, Angelica Ramirez, who is now serving as the Bonsai Assistant at the Chicago Botanic Gardens.

Isiah comes to the National Bonsai and Penjing Museum after four years of learning at Superfly Bonsai, a local bonsai supplier in Pennsylvania. Unfortunately, the business had to close, but there was a silver lining: Isiah had the opportunity to apply for the nation’s premiere bonsai apprenticeship, which is funded by the National Bonsai Foundation.

The purpose of the National Bonsai Apprenticeship is to train a new generation of American bonsai artists to ensure the future of the art of bonsai. Each Apprentice in the renowned program receives immersive education with expert curators and caretakers, hands-on experience with America’s national bonsai and penjing collections, and daily opportunities to hone horticultural and artistic talents.

Isiah brings five years of experience to the role. He has grown and maintained a wide variety of live tree stock, managed collections and nurseries, and nurtured hundreds of specimens professionally and personally. “The feeling of seeing plants successfully grow brings me a lot of excitement and joy,” he said.

Studying with renowned bonsai artists has helped to further hone his craft. He has learned from experts such as Chuck Harris, Chase Rosade, and Hugo Zamora. Every artist has a unique approach to this fascinating medium, and which has influenced his philosophy and deepened his understanding of the art form.

Isiah’s bonsai journey began in earnest in 2017, but his interest in art started much earlier.

“I grew up as an artist,” he said. “I was drawing flowers before I knew how to speak properly.” He struggled with learning early in life, but found a creative outlet at the age of 5 when his father gave him his first art set. He continued to draw throughout his school years and attended the Capital Area School of the Arts in Harrisburg, Pennsylvania. He went on to study biology at Harrisburg Area Community College. His artistic and natural pursuits continue to this day, and they also influence his approach to bonsai.

He discovered his love for plant cultivation after serving in the Army National Guard. During ten years in the military, he dabbled in horticulture as a way to combat depression. When he was discharged, he began to dedicate increasingly more time to his new hobby. He started small, buying a few plants from a home improvement store – and was immediately hooked. After tending to them for several days, he doubled the size of his budding collection, eager to learn how to care for as many new varieties as possible.

I would sit and study each and every plant.
I would take notes, and spend hours reading and watching videos on the anatomy of plants.

Over the next two years, he taught himself how to nurture them and keep them thriving. “I would sit and study each and every plant,” he said. “I would take notes, and spend hours reading and watching videos on the anatomy of plants to find out what they like and don’t like, what different colorations meant, and how to treat and prevent ailments.”

Isiah, like many people who grew up in the 1980s and 90s, was first introduced to bonsai through the character Mr. Miyagi in the popular film The Karate Kid. Although he was at first intimidated by the art form, he was intrigued by the challenge of learning it. Realizing that he wanted to be around plant life at all times, Isiah began to pursue a professional career as a nursery manager.

At Superfly Bonsai, he started from the ground up, literally: He began in the soil section of the warehouse, learning about different types of fertilizers, nutrients, and the specific benefits to bonsai trees. Over the next few years, Isiah immersed himself in every aspect of the art, increasing his understanding of tools, pots, and soil, and learning to grow trees from seedlings to live stock to cultivated specimens. He helped to tray thousands of seeds and developed the fledgling nursery into a full-grown bonsai farm.

When the business closed, Isiah was thirsty for more knowledge. He was led to the National Bonsai Apprenticeship by his passion for bonsai and his dedication to digging ever deeper into the art form. Serving alongside the expert curators at the National Bonsai and Penjing Museum is the ideal way to continue to develop his skills and expertise. It also gives him a meaningful way to overcome depression, find clarity and balance, and focus on his lifelong ambition.

Bonsai reminds me
of who I am.

“Bonsai reminds me of who I am,” he said. “It has done so much for me over the last five years, and I am starting to devote my life to the art of bonsai. I am so thankful to the National Bonsai Foundation for making this role possible, and I’m excited to learn from the incredible curators at the National Bonsai and Penjing Museum.”

As the National Bonsai Apprentice, Isiah will continue his journey of self-discovery and will hone his vision for a life of bonsai caretaking. Aside from tending to his personal collection of hundreds of trees, he wants to start a bonsai farm, build a school for bonsai, and create space for people to pause and find themselves through the art form.

Welcome, Isiah! We are thrilled to have you on the team and look forward to all that you will do for the Museum, the art of bonsai, and our community.


​​NBF is pleased to provide complete financial support for this Apprenticeship, thanks to our generous donors. Without your help, this premiere national apprenticeship that helps to usher in the next generation of horticulturists wouldn’t be possible. Make a tax-deductible gift today to support the future of bonsai artistry. 

Letter from National Bonsai Apprentice Angelica Ramirez

Approaching the end of my term as the National Bonsai Apprentice at the National Bonsai & Penjing Museum, I feel immense gratitude for the experience, education, and memories I’ve enjoyed at this renowned institution. The responsibility for nurturing more than two hundred historically significant bonsai involves comprehensive daily care to uphold the artistic vision and to cultivate the horticultural health of these living works of art. I have learned something new every day.

As an Apprentice, I had the honor of helping to maintain the museum's garden and grounds, was responsible for the museum's daily opening and closing procedures, and assisted with classes and events. Among the many fulfilling aspects of the experience, sharing my passion and knowledge for the art of bonsai with hundreds of visitors has been particularly rewarding.

My bonsai journey was directly inspired by a photo of “Goshin”, my favorite bonsai at the Museum. This enchanting forest has been an enduring source of inspiration, influencing both my bonsai endeavors and my artistic pursuits as a painter. I've dedicated a significant amount of time to crafting a painting of “Goshin” in my personal time.

As I was working on the real “Goshin” one day during my Apprenticeship, I applied lime sulfur, a substance employed for preserving deadwood, to the trunks. It struck me that this created a tangible connection between my artistic pursuits at home and my professional duties at the Museum. In that instant, I found myself 'painting' “Goshin” in both realms, which is an extraordinary opportunity and a great honor.

Embarking on this Apprenticeship, my dedication to this art was already ingrained. However, it's within the supportive environment of the National Bonsai & Penjing Museum that I've solidified a future aspiration: To curate a collection that will inspire others, just as this one has inspired me.

While my journey is far from complete, my experience as an Apprentice has offered a renewed sense of purpose. Caring for these historic bonsai instills a deep sense of responsibility and significance, and each daily task represents a contribution to something far beyond myself. Despite our transient existence compared to their long lifespans, our role as caretakers sustains these bonsai across generations. The opportunity to preserve history and contribute to this incredible legacy fills me with a sense of satisfaction and awe.

I extend my heartfelt gratitude to everyone who has supported me along the way.

To the curators of the National Bonsai & Penjing Museum: Your mentorship and passion have been a source of encouragement and motivation. Your knowledge, skill, commitment, and resilience in curating such a monumental collection is truly inspiring. Your guidance has been invaluable, and I aim to one day reflect your expertise.

To the staff and volunteers at the U.S. National Arboretum: Your shared stories and fellowship have brightened my days. I appreciate your support, which has shaped both my professional approach and personal perspective.

To the National Bonsai Foundation: Your support is what makes this Apprenticeship possible. The funding, guidance, and stewardship of this position is unique in the country and gives up-and-coming bonsai artists a remarkable opportunity to learn, grow, and develop the field of bonsai care and the art form itself. I am deeply grateful that this role exists and that you gave me the chance to serve in it.

To everyone who creates, appreciates, or supports the art of bonsai: You are why we do this work. Please continue to cherish and protect this amazing art form, and know that we will do the same.

It has been an honor to work and learn alongside the exceptional individuals at the National Bonsai & Penjing Museum, the National Bonsai Foundation, and the U.S. National Arboretum.

Thank you for giving me this incredible opportunity.

Sincerely,
Angelica Ramirez
2023 National Bonsai Apprentice

DAVID RIZWAN: "FAREWELL TO A BUSY SUMMER"

My summer apprenticeship has certainly been keeping me busy, leaving very little time for these blog posts! As the waning heat of the summer transitions into the coolness of the upcoming autumn season, watering requirements begin to lessen there is a bit more time for pruning, wiring and other tree work. Here are some of my favorite trees from my recent work:

Eurya (Eurya emarginata) Continuous Tightening

This eurya from the Japanese Collection is one of my favorite bonsai on display in the museum. It has a very stout trunk that almost resembles the “sumo” style that seems to be currently in vogue within the bonsai community. I have to admit that I, too, enjoy this style and the power that it presents within the confines of these trees. E. emarginata have small, glossy leaves when reduced, but they can grow to be quite large if the trees are allowed to run and gain vigor. Therefore, consistent pruning is required to maintain the tight shape and tiny leaves that we enjoy about this bonsai. I’ve now pruned and wired this tree a few times over the summer and have been typically following up a pruning with a pinching shortly after to prevent the energy from redirecting fully into the remaining buds and blowing the new shoots out of proportion. I’ve found that this gives quite dense and even growth throughout the developed pads.

Eurya before pruning work to tighten pads

Ezo Spruce (Picea glehnni) Post-Growth Season Pruning

Screen-Shot-2018-09-25-at-9.27.16-AM-300x167.png

After growing and extending all season, spruces can be cut back to shape. With these, we must be very careful to cut back to new buds to allow the cut tips to continue to grow in next years’ extension. I could locate good buds to cut back to across the entire canopy for the tree, so all the tips should continue to remain healthy while maintaining the crisp presentation intended in this tree between now and the next growth season.


I’m now in the final week of my apprenticeship. It’s been an incredibly busy summer full of new experiences, fun travels, and a ton of new learning. I’m very grateful to National Bonsai and Penjing Museum at the US National Arboretum for the opportunity to work on and develop my skills using some of the best and most prominent bonsai in the country, and I’m very appreciative of the support that Toyota has offered to the National Bonsai Foundation in supporting with funding for this wonderful apprenticeship.

Following the completion of my apprenticeship, I’ll be moving to a new home in San Antonio, TX, where I’ll begin delving into my own personal bonsai garden space while continuing my journey with bonsai. The climate in Texas will be entirely new to me and will present many new challenges to manage watering and sun exposure in the extreme heat of the summer, but compensates for those with a longer growing season to develop and refine material and a far milder winter season. I intend to continue sharing my work on social media and various online platforms, so please do not hesitate to send me requests if you’re interested in seeing how I progress and where I travel throughout my journey.

Thank you to everyone who has supported me up to this point.

David