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Historical Tree Spotlight: The Mixed Forest

The forest planting as it stands in the Museum today.

The forest planting as it stands in the Museum today.

Uncertain times provide many reasons to look toward nature for calm and healing. Myriad research has pointed to how natural environments, especially trees, can benefit our health and overall well-being. 

But as this month's Historical Tree Spotlight shows, nature also provides the inarguable fact that diversity is not just important but fundamentally essential to life. This month’s focus is an unorthodox forest planting, often referred to as “The Mixed Forest,” located in the Japanese Pavilion. 

Donated by Nobusuke Kishi, a former prime minister of Japan, this planting has been in training since 1935 and is part of the group of trees that established the National Bonsai & Penjing Museum’s collection in 1976.

The planting consists of various tree species – including hornbeams, Japanese white pines and Japanese beeches – collected as seedlings from Mount Fuji and Mount Ishizuchi in Japan. Museum Curator Michael James said plantings of multiple species are rare because the grower has to incorporate all of the individual care needed for each species, instead of providing the same care to the whole pot. 

But James said mixed plantings are actually a better representation of the natural world – forests aren’t monocultures but complex systems home to copious varieties of plants and organisms.

He added that even though the planting is home to different species, each tree has the same needs: air, water and nutrients. 

“We care for these forests in a way that accommodates the different needs of each species and allow them to all be healthy in the same environment,” James said. 

The planting featured in a 1975 publication.

The planting featured in a 1975 publication.

Helping a Mixed Forest Thrive 

Tending to each tree’s growing requirements is somewhat of a balancing act. James said the pot contains two soil types in separate areas to cater to the different species’ watering needs. 

The middle of the pot, where the pines are planted, is filled with a mixture high in pumice, which helps the soil dry out faster as pines tend to thrive in drier soils. The pines are situated on the top of a small slope, which allows the soil to drain more easily, James said.

But the beeches and hornbeams – deciduous trees – require a bit more water than pines, so the trees are planted in a wetter mixture. James said Museum staff mainly water around the edges of the pot, where the deciduous roots are concentrated, to help control the wet and dry areas.

 Learn more about different soil and fertilization techniques in our Bonsai Basics blog. 

James added that pruning care also differs among species. The white pines are single-flush trees and require branch shortening without losing any candles, or new growths. 

“We also pluck needles to balance the strength of the pines,” James said. 

But the apices and higher branches of deciduous trees have to be pinched and frequently pruned to allow sunlight to filter through to lower branches. 

“They’re all competing for a limited amount of resources like sun, nutrients and water,” James said. “Without that thinning process, the lower branches end up getting weak and less dominant trees will die.”

A picture of the forest planting taken in 1977.

A picture of the forest planting taken in 1977.

Benefits of Mixed Plantings

James said this planting is exemplary of the many benefits to diversity, both in naturally occurring forests and in human society, as each part of the small ecosystem contains instances of mutualistic relationships.

“This forest has a lot of symbolic meaning right now and is a good metaphor for the importance of diversity not only in plants but in people,” he said. 

 Mycorrhizal fungi, found in the root systems of plants, facilitate plants’ water and nutrient absorption. Plants in return funnel down carbohydrates formed during photosynthesis. 

James said the fungal web also serves as a method of chemical communication between plants, creating a bond throughout plantings or forests. 

“If one plant is attacked by an insect, plants on the other side of a forest through that fungal connection can tell that the plant’s being attacked and can produce chemicals to protect against the attack before the insect gets to it,” he said. 

James added that upper canopy trees also use the mycorrhizal network to provide carbs and nutrients to trees below that are deprived from sunlight and sugars. Additionally, the pines stretch toward the sun, giving needed shade to the deciduous trees – analogous to a natural forest. 

“The different species, fungal organisms and animals all benefit from diversity,” James said. 

Bonsai Teaches Us Respect for All Life

Dear Friends of the National Bonsai & Penjing Museum,

In this time of global pandemic and awakening to end racial injustice, we look forward to the reopening of the National Bonsai & Penjing Museum so again we all can walk among the majestic and inspiring bonsai and penjing waiting for us there.

Our hearts are heavy for those hurting around the nation and the world, and we hope that you and your family are safe and healthy. We give thanks for those bonsai masters like John Naka, Yuji Yoshimura and Saburo Kato who were instrumental in creating the Museum and taught us the true meaning of bonsai. As Saburo Kato once said:

“From bonsai we receive peace of mind, health, and a life’s pursuit. We can also learn generosity, patience and even philosophy about life. We have also had the good fortune to make friends of all nationalities and races with whom we share a mutual trust and respect. This is all thanks to bonsai.”

The core values of bonsai, which we strive to uphold at the National Bonsai Foundation, are rooted in promoting and fostering world peace and respect for all life. Together we can take comfort in the art of bonsai to encourage inclusivity, empathy and peace throughout the world.

In Solidarity,

Felix Laughlin and Jack Sustic
NBF Co-Presidents

Bonsai Around the World: The Japanese Friendship Garden in San Diego, California

The Inamori Pavilion at The Japanese Friendship Garden in San Diego. Photo credit: Dominic Nepomuceno

The Inamori Pavilion at The Japanese Friendship Garden in San Diego. Photo credit: Dominic Nepomuceno

Museums might be closed and traveling restrictions are still in effect, but that won’t keep us from sharing the art of bonsai. Welcome to our new blog series, “Bonsai Around the World,” where we highlight different collections around the globe. 

For our first in this new series, we talked with Neil Auwarter, the bonsai curator at the Japanese Friendship Garden since 2018, about the collection he oversees in San Diego.

A lawyer by profession, Auwarter’s love for bonsai began in about 2008 after he helped his daughter take care of a bonsai he gave her as a birthday present. He said he relied on online instructionals from bonsai artists like Graham Potter and Bjorn Bjorholm until he discovered local bonsai outlets and organizations, like the San Diego Bonsai Club.

Auwarter took a volunteer position at the bonsai pavilion in what used to be known as the San Diego Wild Animal Park (aka Safari Park), which houses one of the club’s bonsai collections. He was soon promoted to oversee the club’s collection at the Japanese Friendship Garden in Balboa Park. 

A stream at The Japanese Friendship Garden. Photo credit: Dominic Nepomuceno

A stream at The Japanese Friendship Garden. Photo credit: Dominic Nepomuceno

First opened in 1991, the Japanese Friendship Garden is a nonprofit that participates in the same Sister City program as the National Bonsai & Penjing Museum. Its sister city is Yokohama, Japan. 

Auwarter said the garden originally just put a few bonsai out for show on an indoor tokonoma and maintained a separate growing area for the trees they were grooming for the display. But about 15 years ago the growing area became its own attraction, and staff began crafting a traditional three-scene Japanese garden to show off the bonsai. 

Auwarter said the garden and bonsai collection now receive about 200,000 visitors a year. 

A pomegranate in the collection at The Japanese Friendship Garden. Photo credit: Dominic Nepomuceno

A pomegranate in the collection at The Japanese Friendship Garden. Photo credit: Dominic Nepomuceno

A few standout trees

The Japanese Friendship Garden scenes reflect the features of and species grown in San Diego’s Mediterannean-like climate, including a stream, two koi ponds, a water feature and a new pavilion.

“It’s a very elaborate and beautiful Japanese garden,” Auwarter said. 

The most recent bonsai donation is an old, twisted pomegranate from Bruce and Yaeko Hisayasu, very active members in the bonsai community. One of Auwarter’s favorite trees in the collection is a 200-year-old California juniper donated by Sherwin Amimoto. 

“I love the fact that it’s a California native,” Auwarter said. 

Auwarter working on a California juniper donated by Sherwin Animoto at home.

Auwarter working on a California juniper donated by Sherwin Animoto at home.

The garden also boasts a femina juniper forest bonsai composition, similar to the National Bonsai & Penjing Museum’s famous Goshin. Auwarter said Larry Ragle, who studied under Goshin’s creator, John Naka, worked on the arrangement at a two-day festival at Disneyland, then donated the display to the garden.  

“It’s a beautiful composition,” he said. “It’s massive, very well done and so reminiscent of Goshin. The influence of John Naka makes the display special to me.”

While the Japanese Friendship Garden is not currently open to the public because of the COVID-19 pandemic, staff members are evaluating how to safely return to operations. Keep an eye out on their website for announcements, and if you’re ever in Southern California, be sure to stop by!

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